Moss’s music takes cue from EBM and house that played a huge part in the city’s musical underground in the late eighties and early nineties, notably Ron Hardy and Adonis, but also Industrial, Avant-Jazz and Noise. 

His tireless schedule of rough low-key releases over the last 12 years and his intense, very physical, psychedelic music, have made him a key exponent or maybe even a pioneer of what’s recently come to be named ‘Outside House,’ although he prefers the more Sun-Ra like descriptions of ‘Rhythmic Cubism’ and ‘Cosmic Be-Bop’.

His releases, much like his music, have straddled House labels and the more left field avant-garde electronic imprints with ease. However, his deeply held Afrofuturist intent and the discipline of his radical designs set him apart from the pack. Always moving forward, his music is an ever-evolving form of meditation that the supple, tuned listener will enjoy immensely.